White Sound: an urban seascape
Wellcome Collection | 22 September–16 October 2011
This autumn, noise from the gridlocked traffic on the
Euston Road in Central London will be replaced by the sound of
waves breaking onto pebbles with White Sound: an urban
seascape, a newly commissioned work by Bill Fontana at
Wellcome Collection, supported by Camden Council, Haunch of Venison
and the Socially Responsive Art and Design Hub.
For three weeks, the installation will transform the urban
environment of one of London’s most polluted thoroughfares with a
live sound feed from Chesil Beach in Dorset. White Sound
will create an entirely new acoustic architecture that challenges
our sense of place and dissolves the physical sensation of being in
the city within an experience of the tidal rhythms of the sea.
Pedestrians approaching Wellcome Collection along Euston Road
will find themselves enveloped by the sounds of waves, which will
be projected onto the street. The river of cars, buses and lorries
will continue its slow progress, but the noise of engines and horns
will be muted by the imported seascape. Fontana’s work contests the
visual identity of the built environment and White Sound’s
transparent intervention will force a new apprehension of the space
we move through.
Sitting in traffic queues, time can appear to slow painfully,
but the seascape evokes a natural activity that moves towards a
deeper time: a continuous cycle carried over thousands of years.
Placing the hypnotic sound of Chesil Beach on the congested Euston
Road, White Sound raises questions about our understanding
of stillness and movement, in both urban and natural
environments.
Chesil Beach is formed of a unique 18-mile pebble bank, with the
Fleet Lagoon on one side and the sea on the other. Its stones,
largely chert and flint, are graded neatly along its length, such
that fisherman arriving by night are said to be able to locate
themselves by the size of the pebbles beneath their feet. The beach
is part of the Jurassic Coast, and a UNESCO designated World
Heritage site. Film footage from the beach will play in Wellcome
Collection throughout the installation’s run.
Ken Arnold, Head of Public Programmes at Wellcome Collection
says: “Bill Fontana brilliantly confuses our sense of where we are
and what we are experiencing. Just by closing our eyes he manages
to turn one of Europe's noisiest and most polluted roads into a
live seascape. It will be fascinating to see how the public
responds to the English Channel crashing onto the Euston Road
outside Wellcome Collection.”
Bill Fontana (born 1947, USA) trained as a composer and is
celebrated for his pioneering work in sound, which explores the
nature of our acoustic environment. He has exhibited his sound
sculptures at leading museums around the world, as well as at
iconic locations from the Golden Gate bridge to the Arc de
Triomphe. London has a particular call on Fontana, and his works
here have included installations carrying the hidden sounds of the
Millennium Bridge within Tate Modern and a live sound map of Big
Ben at Tate Britain. His first explorations of the coastline and
the unique acoustics of Chesil Beach were linked to an installation
at the National Maritime Museum and, most recently, the sounds of
the Thames were brought to the subterranean spaces of Somerset
House. Fontana has received numerous fellowships for his work,
including the John Simon Guggenheim Memorial Foundation fellowship
in 1986. He lives and works in San Francisco and is represented in
the UK by Haunch of Venison.
White Sound: an urban seascape by Bill
Fontana runs at Wellcome Collection, 183 Euston Road, NW1
2BE from 22 September to 16 October 2011.
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Notes to editors
Media contact
Tim Morley
Senior Media Officer
T 020 7611 8612
E t.morley@wellcome.ac.uk
White Sound: an urban
seascape is created in partnership with Camden Council,
Haunch of Venison, University of the Arts, London, and Wellcome
Collection.
Euston Road is one of the most heavily used
roads in the UK, where pollution levels are at risk of exceeding EU
limits. With this in mind, Camden Council
contacted Bill Fontana in the hope of creating a project which
would raise awareness of the polluting effects of traffic emissions
on peoples’ health and the surrounding environment. By overlapping
the sound of traffic with the sound of the sea, Camden Camden
Council hopes that White Sound: an urban seascape will
make people take stock of their daily urban experience and
encourage the use of non-polluting, alternative modes of
transport.
As part of Camden Council’s Green Camden
campaign, a number of initiatives are running to help people make
greener choices about how they travel. From 22 September to 16
October, these will include: Bill Fontana’s site-specific
installation at the Wellcome Collection; a car free day; cycle
training, information on local car clubs and demonstrations about
electric vehicles and bikes.
Socially Responsive Art and Design
Hub is at the centre of a research and practice network
that works with partners to research, create and implement art and
design led strategies that respond to social issues, prioritise
social impact and embrace social change.
Socially Responsive Design Hub is located
within Central Saint
Martins College of Art and Design and is part of the
University of the Arts London. The University's 1,228 teaching
staff, as active professional artists, practitioners, designers,
critics and theorists, lead the way on creative and experimental
practice alongside historical and theoretical analysis. In
September 2011, the college is moving to a new home at King’s
Cross. The move to this exciting and versatile space will mark a
new era in arts education.
Wellcome
Collection is a free visitor destination for the
incurably curious. Located at 183 Euston Road, London,
Wellcome Collection explores the connections between medicine, life
and art in the past, present and future. The building comprises
three gallery spaces, a public events programme, the Wellcome
Library, a café, a bookshop, conference facilities and a members'
club.
Wellcome Collection is part of the
Wellcome
Trust, a global charity dedicated to achieving
extraordinary improvements in human and animal health. It supports
the brightest minds in biomedical research and the medical
humanities; its breadth of support includes public engagement,
education and the application of research to improve
health. The Trust is independent of both political and
commercial interests.

